Announcing the release of my new novel and an exciting new character: Beyond These Woods featuring epidemiologist and rogue scientific gadfly, Dr. Lotte Keene.
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"Shallows At Dusk" Wins Mitchell Environmental Conservation Award
“North Cove Shallows at Dusk” (2012) by Mark Roger Bailey
My photograph, “North Cove Shallows at Dusk,” has received the 2013 John G. Mitchell Environmental Conservation Award.
The award by the Land/Conservation Trusts of Lyme, Old Lyme, Salem, Essexand East Haddam (CT) honors the American environmentalist and former editor of National Geographic Magazine, John G. Mitchell (d. 2007). Past editor of Sierra Club Books and a longtime field editor and writer for Audubon Magazine, he also wrote many books, including LOSING GROUND (1975), ALASKA STORIES (1984), and DISPATCHES FROM THE DEEP WOODS (1991).
I captured this photo in Essex, CT late one April afternoon. The river bottom stones in the foreground, the larger boulders in the middle distance sharing the deepening water and the reflected glow of sunset spoke to me about the interconnectedness of our existence along the banks of one of America’s great rivers.
Collect These Images
Here are the images that I have entered in the One Life International Photo Competition. I invite you to visit my page at
https://markrogerbailey.see.me
and view what I have been up to. Your comments are welcome and appreciated.
If you like what you see, please collect me. Your support brings my images to the judges’ attention.
VIDEO: Carter Bays & Craig Thomas on "How I Met Your Mother"
Recently, I produced coverage of An Evening with Carter Bays and Craig Thomas, co-creators and co-executive producers of the television comedy, “How I Met Your Mother” (CBS) at the Paley Center for Media in Los Angeles. The event was hosted by Michael Roth, President of Wesleyan University, and Jeremy Zimmer, Founding Partner and Managing Director of United Talent Agency. Here is a brief highlights video, edited by Ben Travers.
The Day We Lost 3,000 Futures
September 11, 2001
The attacks of 11 September 2001 changed the landscape of the American experience. We are scarred by the intensity of passions that swept genius into the fires, tested by the assaults on our faith in the dream, and diminished by lost opportunities. Despite these losses, we grow stronger in vision, purpose, and our hunger for a better future… together.
In Remembrance:
David Angell (Apr 10, 1946 – Sep 11, 2001)
Related Links:
The September 11 Digital Archive
© Mark Roger Bailey 2011
"Sleeping Mallard" Receives John G. Mitchell Award
Sleeping Mallard Hen (2010), Mark Roger Bailey
My image, “Sleeping Mallard Hen,” has received the 2011 John G. Mitchell Environmental Conservation Award.
The award by the Land/Conservation Trusts of Lyme, Old Lyme, Salem, Essex and East Haddam (CT) honors the American environmentalist and former editor of National Geographic Magazine, John G. Mitchell (d. 2007). Past editor of Sierra Club Books and a longtime field editor and writer for Audubon Magazine, he also wrote many books, including LOSING GROUND (1975), ALASKA STORIES (1984), and DISPATCHES FROM THE DEEP WOODS (1991).
I captured this photo in Essex, CT late in the afternoon, across the river from Mitchell’s home in Lyme. At the time, the sight of this duck asleep in the shallows spoke to me about the timeless values of our shared existence along the banks of one of America’s great rivers. It also suggested something about art to me. Only later in the digital darkroom did I realize that the scene stirred memories of seeing Albrecht Dürer’s Young Hare (1502) at the Getty Museum in Los Angeles. A Mallard duck, Albrecht Dürer’s hare, and John G. Mitchell… inspiring company.
My photograph of diverse birds – herons, turkey vultures, gulls, ducks, and cormorants – pausing to rest on a river dock, “No Wake,” placed second in the Wildlife Category.
Avoid Mind Reading
Except your own
Writing to the market always falls short of the mark. Besides being a soul-numbing experience (because you end up essentially writing someone else’s inspiration), it cannot be researched sufficiently, drafted, rewritten, edited, rewritten again, shopped, edited, and published in time to capitalize on the market trend. So, you have invested valuable time, energy, and effort in a project to which you are less than 100% committed, and about which you are less than passionate.
Start with what you want to read. Do what you think is right. Draft your concept. Outline it, write a few chapters and share it with someone whose skill, perspective, judgment, interests, and discernment you respect. Odds are that those pages will jump to life in the reader’s mind because you care, because you’re invested in something you want to say, in a tale you want to tell.
Trying to forecast the market, or read editors’ or agents’ minds wastes your time. It also paralyzes your writer’s instrument. The skills that you develop as a writer are important, high performance, precision tools. Don’t use your scalpel as a screwdriver. Don’t use your best sagacious voice to make someone else’s hero sound interesting. Respect yourself, your ideas, and your time. Follow your muse, your heart, and craft the stories you think matter, the ideas, subjects, and characters that wake you at 3:00 am.
SAINT at Amazon
SAINT is back as an e-book for the Kindle, iPhone and iPod Touch. In :30 seconds you can be reading the novel.Download SAINT right now and experience the thriller that people continue to talk about in reading groups, online forums, and at the watercooler.
The Last :05 Seconds
If I can’t write the final beat of a story, brief, or article, or the last five seconds of a commercial or video, I know that the premise is not yet fully realized. Those concluding seconds, or those cascading syllables leading to a final conclusive sustaining note should resonate. The end should resolve, summarize and underscore the point. If those qualities are absent or not sufficiently present, then the foundational work – the premise in most instances – is not done; the ad, video, short story, screenplay or novel is not complete. The piece might move, twitch, even walk, but it won’t fly.